- The Script
- The Budget
- Why This Film, This Way?
- Contracts
- Getting the Deal
- Creating a Schedule
Online
₹ 449 3,399
Quick facts
particular | details | |
---|---|---|
Medium of instructions
English
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Mode of learning
Self study
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Mode of Delivery
Video and Text Based
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Course and certificate fees
Fees information
₹ 449 ₹3,399
certificate availability
Yes
certificate providing authority
Udemy
The syllabus
Pre-Production : Development and Gearing Up
Pre-Production : Casting an Indie Film
- Using Non Union Actors
- Working with a Cast Director
- The Casting Process
- Casting Lead Role #1- Melissa
- Casting Lead Role #1- Original Audition
- Casting Lead Role #2- Anna
- Casting Lead Role #2- Original Audition
- What are Chemistry Callbacks?
- Chemistry Callbacks- Melissa and Anna
- Casting Lead Role #3- Todd
- Casting Lead Role #3- Original Audition
- Final Chemistry Read
- Chemistry Read- Todd, Mellisa and Anna
- Casting Supporting Roles- Jim
- Casting Supporting Roles- Original Audition
- Casting Additional Roles
Pre-Production : Rehearsals and Tables reads
- The Table Read
- Rehearsal - Character Study
- Rehearsal - 1st Improv
- Rehearsal - 2nd Improv
Production : Planning and Logistics
- Production Meeting
- Day One : Production Moves
- Day One : Camera and Lighting
- What is a Walk Away Meal
- Day One: Sound - Beveled Glass
- Day One: Sound - 7-Eleven Store
- Adjusting Call Times & Background Make-up
- Camera Department - DIT Workspace
- Start Times and Turn Around
- When to Serve Your First Meal
- Sound on the Shotmaker
- Driving and Ambient Lighting
- Shooting Guerrilla Style (Totally Illegal)
- Planning the Night Club
- Production : Creature Comforts
- Sound in Small Spaces
- Dealing with Puke and Waredrobe
- Planning the Big Party Night
- Cash vs Checks
- Creating a Visual Style
- Dueling Cinematographers
- Duel Camera Coverage
- Recording Great Production Sound
- Working with the Script Supervisor
- Wardrobe
- Locations
- Permits
Production - Day 1
- Day 1 - Location
- Day 1 - Lighting
- Day 1 - Sound
- Day 1 - Production Diary
Production - Day 2
- Day 2 - Location
- Day 2 - Lighting
- Day 2 - Sound
- Day 2 - Production Diary
Production - Day 3
- Day 3 - Location
- Day 3 - Lighting
- Day 3 - Sound
- Day 3 - Production Diary
Production - Day 4 & 5
- Day 4 & 5 - Lighting
- Day 4 & 5 - Sound
- Day 4 - Production
- Day 4 - Camera
- Day 5 - Production Diary
Production - Day 6
- Day 6 - Locations
- Day 6 - Lighting
- Day 6 - Sound
- Day 6 - Production Diary
Production - Day 7, 8, 9 & 10
- Days 7, 8, 9 & 10 - Location
- Days 7, 8, 9 & 10 - Lighting
- Days 7, 8, 9 & 10 - Sound
- Days 7, 8, 9 & 10 - Production Diary
Production - Day 11
- Days 11 - Locations
- Days 11 - Lighting
- Days 11 - Sound
- Days 11 - Production Diary
Post Production : Editing the Beast
- Building the Credit Sequence
- How to Find an Editor
- The Editor's Audition
- Editing - The Process
- Editing - Organization
- Editing - The Rough Cut
- Editing - The Test Screening Version
- Editing - Additional Shooting
Post Production : Sound and Music
- Finding Music
- Scoring Through Social Media
- How to Approach the Artists
- Music Contracts & Releases
- Sound on a Limited Budget
- Sound Editing
- Sound - Dialog Editing
- Sound - Music Editing
- Sound - ADR
- Sound - Foley
- Sound - Pre-Mix
- Sound - Final Mix
Watch the Movie
- Two Million Stupid Women - Final Version
Bonus Materials
- BONUS: What DO You Want to Learn Next?
- Interview with the Writer of Two Million Stupid Women
- WGA Writer's Strike
- IFH Podcast: Why Are Filmmaker so F*ing Broke?
- Understanding Light Quality Hard and Soft Light
- What is Dynamic Range?
- Introduction to HDSLR Cameras
- How to Repair an Arri Fresnel