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    Quick Facts

    Medium Of InstructionsMode Of LearningMode Of Delivery
    EnglishSelf StudyVideo and Text Based

    Courses and Certificate Fees

    Certificate AvailabilityCertificate Providing Authority
    yesCoursera

    The fees for the course Approaching Music Theory Melodic Forms and Simple Harmony is - 

    HeadAmount in INR
    Certificate FeesRs. 2,699

    The Syllabus

    Video
    • Welcome to the course
    Readings
    • Is this course right for you?
    • How to Pass This Course
    • Accessing Music in the Course
    • Instructor Presence and Staff Support 
    • Forum Guidelines
    • Requesting Peer Reviews
    • Academic Integrity
    • About Performing
    • About CalArts and the School of Music

    Videos
    • Let's Talk About Music
    • The Richness of Simplicity, part 
    • The Richness of Simplicity, part 
    • Context and Discrete Function
    • Neighbor Notes and Passing Tones
    • Context Gives Notes Function
    • Cadences
    • How to Grade: Write a Gregorian Chant
    • An Utterly Different Aesthetic, part 
    • An Utterly Different Aesthetic, part 
    • Leaps vs. Steps
    • Chromaticism: Outside Notes
    • The Next Chromatic Note
    • Sequence
    • How to Grade: Write a Slow Jazz Song
    • How to Grade: Write a Folk Song
    Readings
    • Week 1 Glossary & Playlist
    • Optional Practice: Medieval Notation
    • Optional Practice: Modern Notation
    • Optional Practice: MIDI Notation
    • Some Lessons Learned
    • Optional Practice: Antiphon
    • Optional Practice: Improvise a Melody
    • Optional Practice: A Little Musical Idea
    • Some More Lessons Learned
    • Talking About Folk Music
    • Examples of Folk Music
    Practice Exercises
    • Reinforce Your Knowledge: Remember New Terms
    • See it then Hear it: Over the Rainbow (Required)
    • Hear it then See it: White Christmas (Required)
    • See it then Hear it: The Riddle Song (Required - Honors)

    Videos
    • Complex Simplicity: Repetition and Expectation
    • Repetition
    • How to Grade: Write Like a Classical Composer
    • Less is More: Chopin
    • Less is More: Ives
    • Some Lessons Learned
    • Brahms Rhapsody
    • Schoenberg's Piano Concerto
    • Single Ladies / It's a Small World / Your own personal nightmare earworm
    • Three Expansive Tunes
    • How to Grade: Write Like a Romantic Composer
    • How to Grade: Write like an Early 20th Century Composer
    • How to Grade: Write an Earworm
    • Boulez, Selon Pli
    • John Cage's Atlas Eclipticalis
    • How to Grade: Write Like a Mid- to Late 20th Century Composer
    • How to Grade: Write Like a Wombat
    Readings
    • Week 2 Glossary & Playlist
    • Some Lessons Learned
    • Listen First: Chopin, Withers, Ives
    • Less is More: Withers
    • Optional Practice: I Want You
    • Optional Practice: One Note Samba
    • Optional Practice: Musica Ricerata
    • Listen First: Brahms & Schoenberg
    Practice Exercises
    • See it then Hear it: Diaphonic Suite #1 (Required)
    • Hear it then See it: Mon coeur s'ouvre a ta voix (Required)
    • See it then Hear it: 1- (Required - Honors)

    Videos
    • Introduction to Consonance and Dissonance
    • The Physics Of It All
    • The Culture & Context You Swim In
    • The Functional Relationship
    • A Three-Minute History of Medieval Music
    • A bit more about medieval music—and meter
    • Introduction to 'The Rules'
    • A Simple Explanation of Counterpoint, part 
    • A Simple Explanation of Counterpoint, part 
    • Adding Dissonance
    • How to Grade: Counterpoint, Part One: A&B
    • How to Grade: Counterpoint, Part Two: C&D
    • Josquin in two voices, part 
    • Josquin in two voices, part 
    • Creatively Breaking Rules
    • Breaking the Rules In Order To Make New Rules in Order to Figure Out What Rules Are
    • How to Grade: Counterpoint, Part Three: E&F
    Readings
    • Week 3 Glossary & Playlist
    • Optional Practice: Meter
    • Optional Practice: An informal analysis of Josquin
    • Optional Practice: Two Beautiful Pieces
    Practical Exercises
    • Physical Consonance (Required)
    • See it then Hear it: Broken Rules (Required)
    • Hear it then See it: Broken Rules (Required)

    Videos
    • More Than Two Voices At A Time: The Beginning of Harmony
    • Demonstration: 3-part voice leading
    • Cadences, part 
    • Cadences, part 
    • Melodic Aspect to Cadences
    • Tonal Function
    • More about the Leading Tone: A diversion into Rock and Country
    • Rock/Pop vs. Country
    • Getting back to Tonal Function: Subdominant
    • Some simple examples
    • Subdominant Feelz
    • Recap of Harmonic Function
    • All Triads in a Key
    • Mozart Piano Concerto, Part 
    • Mozart Piano Concerto, Part 
    • Mozart Piano Concerto, Part 
    • How to Grade: Complete the Cadences (Final Assignment)
    • Conclusion
    Readings
    • Week 4 Glossary & Playlist
    • Listen to Haydn and Pärt
    • Listen First: Stairway to Heaven & Coal Miner's Daughter
    Practice Exercises
    • See it Then Hear it: Piano Sonata #1 (Required)
    • Hear it and See it: Dove Sono (Required)

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